- Best audio interface for mac 2013 drivers#
- Best audio interface for mac 2013 driver#
- Best audio interface for mac 2013 pro#
- Best audio interface for mac 2013 series#
RME crafts its own custom drivers, which ensures optimal functionality and latency performance.
Best audio interface for mac 2013 driver#
On OS X, the Balance and Duet 2 both use the Core Audio driver built into the operating system which provides easy setup and integration with on OS X and iOS, but delivers less than optimal latency performance.
Best audio interface for mac 2013 drivers#
Some manufacturers invest all their time and money in crafting stellar pieces of hardware then write sub-par drivers for their devices, often as an afterthought. The sound of the preamps and converters did not color the sound in any way but lent itself quite well to post-recording effects processing.Īn often-overlooked quality in sound cards are the drivers. The Babyface delivers up to 60dB of input gain, which is enough for recording even demanding phantom-powered ribbon microphones. The mic pre-amps also performed well, providing an accurate recording of vocal, guitar, and piano tracks. While playing back a relatively quiet, un-mastered recording, I was able to set a comfortable listening level using only about a third of the Babyface’s available output gain. The Babyface’s converters will definitely not be the weak link in your monitoring chain, and with its large wheel to control the output, input, and headphone volume, the Babyface doubles as a monitor controller quite handily.
Best audio interface for mac 2013 series#
RME’s custom M- series converters sound crisp, accurate, and among the best of the units tested. The Babyface is no exception and includes many features found on RME’s higher end interfaces.įor most project studio users looking to purchase a high-end two-channel interface in the price range of the Babyface, the chief concerns would be sound quality of the A/D converters & mic pre-amps, latency performance, and ease of use.
Best audio interface for mac 2013 pro#
RME has an excellent reputation in the pro audio world for crafting high-quality interfaces with innovative features and solid drivers. Recording Resolution: Up to 24 bit, 192khzįirst is the RME Babyface, a card that sports both a comprehensive feature set and a relatively high price tag.Connectivity: USB, 2x XLR Inputs, 2x XLR Outputs, 2x ADAT/SPDIF Optical I/O, 2x ¼ Headphone Outputs, 1x ¼ Hi-Z Instrument Input, Power Supply (Optional).Included: Sound Card, Breakout Cable + Extension Cable, Carrying Bag, USB Cable.Price: $799 MSRP, available here for $716.RME Babyface | Apogee Duet 2 | Propellerhead Balance | Alva Nanoface | Akai EIE Pro
In this roundup, we’re featuring five of these sound cards that span a range of prices and features to help you determine which one is perfect for you.Īlready know what you want? Jump to a specific review here:
With the advent of computer-based digital audio workstations, it’s now possible to record, mix, and master everything ‘in the box,’ eliminating the need for a plethora of outboard gear.Ĭonsequently, a new class of ultra-portable audio interfaces have emerged that despite having a limited number of inputs and outputs, are jam-packed with all the features you need to create computer-based music. When it comes to choosing a sound card for modern electronic music production setups, there are no shortages of affordable, capable options. The pictured soundcards in the above image are the Balance, EIE (not the Pro model), and Nanoface.
Read on to see how offerings from RME, Apogee, Propellerhead, Akai, and Alva stack up! Today we’ve got a massive roundup of five soundcards under $1000 for producers who demand quality while still remaining within a budget. Soundcards – for electronic music producers, they’re the central hub of input and output to a digital audio workstation in a home studio.
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